Review: Straight up, D-Day is explosive at three levels. The plot crackles. The acting sears. And the music flares with passion. Four Indian agents, angry and RAW, enter Pakistan to bring Iqbal Seth (Rishi Kapoor), a Dawood-like don, hated for his terrorism, home. Wali Khan (Irrfan) has married a local woman and fathered a child, but longs to find freedom from the truth and lies he lives. Irrfan amazes, switching from tender to treacherous in a flash, authentic as he calls out "Rudar!" to Rudra Pratap Singh (Arjun), a man of molten mysteries, introduced with a Lawrence of Arabia-like flair.
Arjun looks smashing and pulls off a competent act while Zoya (Huma) does well as a cutie-pie who can squeeze a knife real bad. Aslam (Aakash Dahiya), a gangster-turned-agent, forms the fourth wheel, but Rishi Kapoor stands out as Iqbal Seth, with his polyester-like silky malevolence, his mocking manipulations, his eyes behind red goggles, both frightened and frightening.
That mirrors the plot which flips rapidly, hunters becoming the hunted, then vice-versa. Nasser, as RAW director Ashwini Rao, is convincing as an official straining at the leash while Iqbal's bhanja (Chandan Sanyal) is splendid with his simply asinine evil. A beautifully fragile Shruti Haasan plays a prostitute sheltering Rudra. Their track is short but sensual, a little lily-pool of beauty in an otherwise relentlessly harsh cinematography, where Karachi's grey, gritty and gunpowder-laced.
But this being Bollywood, the plot can't escape emotional excursions. Some - Rudra's love-life, Zoya's break-up - adds a halwa-like heaviness to this Karachi. But the second half refreshes your palate, sizzling sequences between Wali, Rudra and Iqbal Seth leaving you open-mouthed, the 'c' in this climax clearly for controversy.
Catch it - this 'D' company denotes both debate and desh-prem.
Note: You may not like this movie if you don't enjoy violent thrillers where things go off with a bang.
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